Édouard Louis adapts and stars in an adaptation of his memoir about his difficult relationship with his father and the ways the French government has failed. Lane Williamson reviews.
Trish Harnetiaux’s spooky comedy about fractured time, memory, and family blends melancholy with heart. Nicole Serratore reviews.
A Turkish playwright homes in on the intersection of love and activism. Loren Noveck reviews.
Ana Nogueira pens “a love letter to the geeks, queerdos, and obsessives” and their complicated relationship with musical theatre and each other. Cameron Kelsall reviews.
Encores! expands its mission and delivers a fantastic revival of a very popular musical. Lane Williamson reviews.
Another lost classic by Alice Childress returns to the New York stage with a strong message but a muddy production. Loren Noveck reviews.
Selina Fillinger’s raucous comedy brings lots of needed laughs. Lane Williamson reviews.
Thornton Wilder’s ever-relevant play returns in a powerful, but inconsistent revival at Lincoln Center. Cameron Kelsall reviews.
The Met premieres another new production of Donizetti’s opera, this time in the hands of Australian auteur Simon Stone. Cameron Kelsall reviews.
James McAvoy gives a performance for the history books in Jamie Lloyd’s bold revival. Lane Williamson reviews.