What does it mean to live our lives on the backwards timeline of Instagram? Loren Noveck reviews.
A gathering of absent family by proxy jumpstarts an important conversation about Middle Eastern representation and humanity. Nicole Serratore reviews.
An excellent group of poems and dramatic scenes about forced migration wants to break free of its Zoom box. Juan A. Ramirez reviews.
Under the Radar presents a “Marxist Lynchian nightmare” from Chilean company Teatro Anónimo that meets the anxieties of our time. Juan A. Ramirez reviews.
A new work by 600 Highwaymen as part of the Under the Radar festival asks strangers on a phone call to share with each other. Daniel Krane reviews.
Christina Anderson’s script and Lucie Tiberghien’s direction combine with brilliant design elements into an extremely well-executed piece of digital theater. Loren Noveck reviews.
A stage-to-screen adaption of August Wilson’s play, showcases an electric Viola Davis and an incandescent Chadwick Boseman in his final screen appearance. Nicole Serratore reviews.
Stacy Osei-Kuffour’s play may be written for the stage, but as an audio drama critic Cameron Kelsall finds it one of the strongest pivots he’s encountered in the reimagined 2020 theater world.
Norm Lewis brings a hefty dose of holiday cheer to a streaming series from Feinstein’s/54 Below. Lane Williamson reviews.
Amir Nizar Zuabi’s play of a father and son cooking with each other over Zoom is warm but cloying. Nicole Serratore reviews.