Ariel Stess’s new play gives us four exceptional performances as Kara, Emma, Barbara, and Miranda try to find a way forward. Loren Noveck reviews.

Maya Phillips finds problems from the foundations on up in this production from German playwright Dea Loher.

A maximimalist spoof that satirizes the “funny shitshow” of today’s political climate. Jordan Teicher reviews.

Ivan Anderson’s recurring monthly show has a right to brag about its low unsubscription rate. Alison Walls reviews.

Ran Xia reviews Catherine Filloux’s latest play about women in detention.

Puppets drive a Chomsky-esque investigation into current technological advances. Loren Noveck reviews.