In the case of David Auburn’s new play, you end up with something far less than the sum of its considerable parts. Cameron Kelsall reviews.
Dominique Morisseau’s play is the centerpiece of her “Detroit Project” trilogy, and also its heart. Patrick J. Maley reviews.
Beautiful, haunting, but still predictable new play with Jonathan Pryce and Eileen Atkins. Maya Phillips reviews.
A cracking good story of the rebirth of British newspaper The Sun and the pervasive influence of Rupert Murdoch. Juliet Hindell reviews.
Tender coming-of-age play with stirring music has grown since its Off-Broadway debut and provides shattering moments and an astonishing central performance. Cameron Kelsall reviews.
Richard Bean’s The Nap is a mostly funny comedy that loses it’s mirth with tasteless trans jokes. Kev Berry reviews.
Condola Rashad makes for a deeply human and charismatic Saint Joan. Alex Barasch reviews.
Lucy Kirkwood’s The Children is wickedly funny and incisive as it forces a generation to reflect on its legacy.
Harold Prince considers his own life in the theater in the musical revue Prince of Broadway
Laura Linney and Cynthia Nixon give strong voices to the complex women in Lillian Hellman’s play The Little Foxes