Theresa Rebeck’s new play, set in a plant shop, leaves our critic green with envy. Lorin Wertheimer reviews.
Normandy Sherwood’s hallucinatory dreamscape isn’t like anything Loren Noveck has ever seen before.
Rachel Bloom planned to tour a show in spring 2020. Life, and death, got in the way. Three years later, does her brand of musical comedy still speak to us? Loren Noveck reviews.
A solo show that unsettles, but possibly for the wrong reasons. Loren Noveck reviews.
Rhea Perlman’s Patty is both too much and too little in a new play by Zarina Shea. Loren Noveck reviews.
This poem-play from Inua Ellams is a mélange of interesting images, ideas, and theatrical moments but lacks cohesion. Nicole Serratore reviews.
Deirdre Kinahan’s new play at Irish Rep grips us even as it indicts us. Lorin Wertheimer reviews.
An intimate staging and unparalleled performances coalesce in a stunning production of Chekhov’s play. Lane Williamson reviews.
Shakespeare in the Park’s only 2023 production is a “super-fresh take on this play of plays.” Juliet Hindell reviews.
Clubbed Thumb’s Summerworks closes with a delicate, funny, and touching exploration of grief and the search for human connection. Loren Noveck reviews.