A veritable snowstorm of misogyny falls in this galvanizing installation performance from artist Ragnar Kjartansson. Nicole Serratore reviews.
An audio installation leads you on a walk through Lower Manhattan and offers an invitation to the multiverse of New York City. Nicole Serratore reviews.
Interrogating twirling housewives and the performance of realness, this satirical offering from Fake Friends works best when using its own voice. Nicole Serratore reviews.
Guillermo Calderón and his collaborators make a mini-documentary that reflects on Chilean politics, the pandemic, and where theater goes from here. Nicole Serratore reviews.
Daniel Kitson’s new show is a travelogue through the pandemic offering a bit of a hug. Nicole Serratore is not yet ready for hugs.
An experimental mosaic of images and ideas on America’s crimes against Black men gets a vivid airing in Paul Outlaw’s new work.
Breaking down toxic masculinity in the military and life, Cezary Tomaszewski’s dance-driven piece reminds us of the joys of being ourselves. Nicole Serratore reviews.
This immersive theater piece tackles the weight of 400 years of black American history with both humor and horror. Loren Noveck reviews.
Theater critics are the butt of jokes by three performance artists in this funny, smart deconstruction of the critical gaze. Nicole Serratore reviews.
Adrienne Truscott brings an inclusive team approach to a new looser version of her still devastating comedy show about rape culture. Nicole Serratore reviews.