Guillermo Calderón and his collaborators make a mini-documentary that reflects on Chilean politics, the pandemic, and where theater goes from here. Nicole Serratore reviews.
Daniel Kitson’s new show is a travelogue through the pandemic offering a bit of a hug. Nicole Serratore is not yet ready for hugs.
An experimental mosaic of images and ideas on America’s crimes against Black men gets a vivid airing in Paul Outlaw’s new work.
Breaking down toxic masculinity in the military and life, Cezary Tomaszewski’s dance-driven piece reminds us of the joys of being ourselves. Nicole Serratore reviews.
This immersive theater piece tackles the weight of 400 years of black American history with both humor and horror. Loren Noveck reviews.
Theater critics are the butt of jokes by three performance artists in this funny, smart deconstruction of the critical gaze. Nicole Serratore reviews.
Adrienne Truscott brings an inclusive team approach to a new looser version of her still devastating comedy show about rape culture. Nicole Serratore reviews.
What do you do after the show that blows up the very premises of your chosen art form? A show named after your dog, of course. Loren Noveck reviews.
Nicole Serratore, a human, and Phyl, a plant, discuss a funny, probing show which looks at plant intelligence and life.
Lightning Rod Special returns to NYC with a screwball musical revue about the American abortion debate that drops the farce to make some serious points. Loren Noveck reviews.