Lucas Hnath makes harrowing and unsettling use of his mother’s life, channeled through an extraordinary performance by Deirdre O’Connell, in a piece that raises questions about the ethics of documentary theater. Loren Noveck reviews.
Tina Satter’s documentary theater piece transfers to Broadway with its power and its exceptional central performance intact. Loren Noveck reviews.
A glittery “histo-remix” of the lives of Henry VIII’s six wives brings its high-energy woman power back to Broadway post-shutdown. Loren Noveck reviews.
Two young undocumented immigrants struggle in Martyna Majok’s new play, which leaves Loren Noveck heartsick at the state of the world.
Caryl Churchill’s latest goes by in a flash and leaves you wishing for more. Loren Noveck reviews.
Radio play meets lush picture book meets dark fairy tale in Aleshea Harris’s new online work. Loren Noveck reviews.
What does it mean to live our lives on the backwards timeline of Instagram? Loren Noveck reviews.
Christina Anderson’s script and Lucie Tiberghien’s direction combine with brilliant design elements into an extremely well-executed piece of digital theater. Loren Noveck reviews.
This “history play about 2017” punctures liberal certainties, but maybe not enough of them. Loren Noveck reviews.
Loren Noveck doesn’t quite know whether to laugh or cry at this workplace comedy about Russian social media trolls that’s both terrifyingly realistic and absurdly hilarious.