Julia Jarcho and Jennifer Seastone are magnetic as two sides of the same character in Jarcho’s latest play. Loren Noveck reviews.
A Gertrude Stein opera libretto transformed into a bravura one-man show by the great David Greenspan. Loren Noveck reviews.
Angela Hanks creates ten rich, nuanced roles for women in the third installment of Clubbed Thumb’s Summerworks. Loren Noveck reviews.
A fable about war and capitalism that finds wit, heart, and sexiness in unexpected places. Loren Noveck reviews.
Frances Ya-Chu Cowhig’s adaptation of a 13th-century Chinese drama has power and ideas to spare, but the whole is sometimes less than the sum of its parts. Loren Noveck reviews.
Sweet but not sappy, tart but not sour: this tale of a quinceañera is visually striking and has a lot of heart. Loren Noveck reviews.
The quintessence of Hamlet, brilliantly and hilariously distilled into a young Black queer Southern man singing karaoke to Radiohead’s “Creep” at a backyard wedding barbecue. Loren Noveck reviews James Ijames’s Pulitzer Prize winner at the Public Theater.
A Turkish playwright homes in on the intersection of love and activism. Loren Noveck reviews.
Another lost classic by Alice Childress returns to the New York stage with a strong message but a muddy production. Loren Noveck reviews.
Shaina Taub’s new musical tells a nuanced and complex history of the fight for women’s suffrage. Loren Noveck reviews.