Antoinette Chinonye Nwandu makes her Broadway debut with a play about two young Black men on a street corner that uses humor to set off devastating booby traps. Daniel Krane reviews.
Delightful leading ladies but the chaos and comedy never seem to reach full throttle in this Shakespearean adaptation. Nicole Serratore reviews.
Emily Skinner lays all her quarantine feelings out on the cabaret table in her new show at Feinstein’s/54 Below. Lane Williamson reviews.
A veritable snowstorm of misogyny falls in this galvanizing installation performance from artist Ragnar Kjartansson. Nicole Serratore reviews.
An audio installation leads you on a walk through Lower Manhattan and offers an invitation to the multiverse of New York City. Nicole Serratore reviews.
Caryl Churchill’s latest goes by in a flash and leaves you wishing for more. Loren Noveck reviews.
Death of Classical and the New York Philharmonic team up to present a moving (emotionally and physically) concert across the expanse of Green-Wood Cemetery. Lane Williamson reviews.
Interrogating twirling housewives and the performance of realness, this satirical offering from Fake Friends works best when using its own voice. Nicole Serratore reviews.
Radio play meets lush picture book meets dark fairy tale in Aleshea Harris’s new online work. Loren Noveck reviews.
Twelve playwrights and a team of designers bring pandemic dreams to life in an art installation/immersive theatre odyssey at the Brookfield Place mall. Lane Williamson reviews.