Daniel Krane and Joey Sims contemplate what might make virtual theater appointment viewing–and appreciate quarantine theater that’s polished enough to criticize.
A piece of big ideas that feels more about positions than people. Loren Noveck reviews.
A Zoom show about listening and distance offers moments of connection, with a surprise appearance of a cat. Nicole Serratore reviews.
The first piece in an all-virtual Ice Factory festival uses corporate meeting technology to deconstruct the trajectory of a tech start-up. Loren Noveck reviews.
An online rendering of Conor McPherson’s The Weir highlights our pandemic loneliness. Pat Maley reviews.
Belarus Free Theatre expands the boundaries of a laptop or tablet with their imaginative livestream experience. Daniel Krane reviews.
7 Daughters of Eve and Sibyl Kempson gather worshipers together for a delicate new form of theater-church. Janaki Ranpura gives thanks and praise.
The Homebound Project offers a tasty theatrical buffet with 11 bite-sized shorts by playwrights like Anne Washburn and Ngozi Anyanwu. Daniel Krane sups on the series’ sustenance.
Revisiting a personally pivotal Daniel Kitson show now streaming online, Nicole Serratore visits her past self.
A one-on-one theater theater piece online asks questions about the role of audience and the power of memory. Nicole Serratore reviews.