An unusual dance/thriller hybrid builds to a striking ending. Loren Noveck reviews.

How does theater grapple with genocide? European auteur Milo Rau brings one answer to St. Ann’s Warehouse. Loren Noveck reviews.

All the excellent component parts of this passion project revival still leave something missing. Lane Williamson reviews.

Benedict Andrews finds the comedy in Chekhov’s final play, but does he lose Chekhov? Carol Rocamora reviews.

A solo show missing a sense of its only character. Loren Noveck reviews.

This Edinburgh Fringe hit enacts the impossibility of everyday life–on literal treadmills. Loren Noveck reviews.

Lorin Wertheimer is pushed from compassion to frustration by this documentary theater piece.

Visually striking, emotionally ambiguous, this adaptation of a Danish film is both successfully suspenseful and narratively unbalanced. Loren Noveck reviews.

Juliet Hindell finds this musical adaptation of a 2001 film sometimes predictable, but nonetheless irresistible.