Nine people gather on a snowy night…just to talk. Lane Williamson reviews.
A woman with Down syndrome, her brother, their mother’s best friend, and an artist who avoids human interaction populate a small town in this contemplative, moving new play by Will Arbery. Lane Williamson reviews.
An honest and relatable musical adaptation of Sarah Silverman’s memoir about the nightmare of childhood. Nicole Serratore reviews.
The award-winning singing actress makes her return to Feinstein’s/54 Below with a “magical mushroom” of a cabaret show. Lane Williamson reviews.
A fable about war and capitalism that finds wit, heart, and sexiness in unexpected places. Loren Noveck reviews.
Frances Ya-Chu Cowhig’s adaptation of a 13th-century Chinese drama has power and ideas to spare, but the whole is sometimes less than the sum of its parts. Loren Noveck reviews.
Sweet but not sappy, tart but not sour: this tale of a quinceañera is visually striking and has a lot of heart. Loren Noveck reviews.
The quintessence of Hamlet, brilliantly and hilariously distilled into a young Black queer Southern man singing karaoke to Radiohead’s “Creep” at a backyard wedding barbecue. Loren Noveck reviews James Ijames’s Pulitzer Prize winner at the Public Theater.
Édouard Louis adapts and stars in an adaptation of his memoir about his difficult relationship with his father and the ways the French government has failed. Lane Williamson reviews.
Trish Harnetiaux’s spooky comedy about fractured time, memory, and family blends melancholy with heart. Nicole Serratore reviews.