Clubbed Thumb’s Summerworks closes with a delicate, funny, and touching exploration of grief and the search for human connection. Loren Noveck reviews.
This portrait of a community drifts into the disappointingly vague and episodic. Loren Noveck reviews.
Angela Hanks creates ten rich, nuanced roles for women in the third installment of Clubbed Thumb’s Summerworks. Loren Noveck reviews.
Trish Harnetiaux’s spooky comedy about fractured time, memory, and family blends melancholy with heart. Nicole Serratore reviews.
Clubbed Thumb wraps up its annual Summerworks with Daniel Glenn’s raucous play about governmental deadlock and the removal of a severed head. Lane Williamson reviews.
A witty, smart production brings out the absurdity, the poignancy, and the cruelty in Zhu Yi’s rich script . . . and also, there are sheep. Loren Noveck reviews.
“Pretzels are not a side dish.” The stakes of brown-bag lunches are higher than you might think. Loren Noveck reviews.
A modern Chekhovian riff shows that life has not changed much since the nineteenth century. Lane Williamson reviews.
Is Whirlwind a real maelstrom, or just a tiny squall? Jordan Teicher reviews.
Krista Knight’s play looks at a toxic relationship and the shedding of skin to escape it. Ran Xia reviews.