Carol Rocamora finds this revival of Sarah Ruhl’s take on the myth of Orpheus and Eurydice “luminous and revelatory.”

A generational clash that doesn’t fully come to life. Loren Noveck reviews.

In this new play on grief, the characters more like concepts. Nicole Serratore reviews.

Emma Sheanshang’s new play feels like it was created by an algorithm; there’s nothing at its core. Loren Noveck reviews.

Anna Deveare Smith was one of the creators of verbatim theater. Maya Phillips finds the fire of her 1992 play still intact in this revival performed by Michael Benjamin Washington.

Jesse Eisenberg’s new play features a curiously flat performance from Susan Sarandon as a community theatre star. Lane Williamson reviews.

Dave Malloy’s new chamber musical features an a cappella group of internet addicts excavating their relationships with the World Wide Web. Caroline Cao reviews.

Jeremy O. Harris seeks out the rot beneath the beauty–but does he go deep enough? Cameron Kelsall reviews.

A revival of Athol Fugard’s play about South African refugees features an intoxicating atmosphere and a skillful performance by Zainab Jah. Lane Williamson reviews.