Emma Sheanshang’s new play feels like it was created by an algorithm; there’s nothing at its core. Loren Noveck reviews.

Anna Deveare Smith was one of the creators of verbatim theater. Maya Phillips finds the fire of her 1992 play still intact in this revival performed by Michael Benjamin Washington.

Jesse Eisenberg’s new play features a curiously flat performance from Susan Sarandon as a community theatre star. Lane Williamson reviews.

Dave Malloy’s new chamber musical features an a cappella group of internet addicts excavating their relationships with the World Wide Web. Caroline Cao reviews.

Jeremy O. Harris seeks out the rot beneath the beauty–but does he go deep enough? Cameron Kelsall reviews.

A revival of Athol Fugard’s play about South African refugees features an intoxicating atmosphere and a skillful performance by Zainab Jah. Lane Williamson reviews.

Amy Heckerling’s musical adaptation of her classic ’90s film is a good time, but not necessarily good theatre. Joey Sims reviews.

Edie Falco brings nuance and passion to her role of political fixer in a play that could use more spark. Joey Sims reviews.

Lily Thorne painstakingly makes quiet drama of an undramatic death. Joey Sims reviews.

Cameron Kelsall reviews this revival of Stephen Adly Guirgis’s play, directed by Phylicia Rashad.