A scathing satire of art in the age of oligarchy. Loren Noveck reviews.

A rarely seen early play by Nobel Prize winner Wole Soyinka feels resonant and relevant today. Loren Noveck reviews.

Jay O. Sanders is a “resplendent” Falstaff in this combined rendition of Shakespeare’s two Henry IV plays. Patrick Maley reviews.

Ethan Lipton’s newest chamber musical makes us a little excited about the Singularity. Loren Noveck reviews.

Writer/director Zinnie Harris cracks open the Scottish play to focus on the women within it. Loren Noveck reviews.

Denis Johnson’s play gives us an evening in limbo with an exceptional cast. Loren Noveck reviews.

Another lost classic by Alice Childress returns to the New York stage with a strong message but a muddy production. Loren Noveck reviews.

“The temerity to see yourself at the center of it all”: Does Will Eno’s newest critique the myth of the hero’s journey, or just give us another example of it? Ran Xia isn’t so sure.

This rarely produced Shakespeare play “illuminates the utter divide between the rich and the poor.” Ran Xia reviews.

María Irene Fornés’s groundbreaking work of environmental theater still feels radical forty years later. Loren Noveck reviews.