A music-driven autobiographical show where moments are stronger than the whole. Nicole Serratore reviews.

A farcical tragedy that lets you laugh at arson, incest, manslaughter, and ecological catastrophe, while also making you feel just a little bit bad for Pol Pot. Loren Noveck reviews.

A woman with Down syndrome, her brother, their mother’s best friend, and an artist who avoids human interaction populate a small town in this contemplative, moving new play by Will Arbery. Lane Williamson reviews.

Sylvia Khoury’s new play explores the anguishing human costs of the United States’s “Forever War” in Afghanistan. Loren Noveck reviews.

Juan A. Ramirez is sufficiently spooked by Lucas Hnath’s new play that looks at one woman’s connection to the space between life and death.

Playwright Will Arbery admirably endeavors to craft a nuanced portrait of conservative Catholicism, but the result is a facile exploration of religious and political tribalism. Cameron Kelsall reviews.

Michael R. Jackson’s self-referential meta-musical loops around itself a little too much to be fully satisfying, but still offers plenty to think about and enjoy. Alison Walls reviews.

“That Guy” infects our collective bloodstream, in a play Joey Sims calls “theater as a scream of pain.”