Dianne Wiest returns to the stage in a new play, but its collage-like structure confuses its intent. Lane Williamson reviews.
A verbatim play about the abduction of Lucas Hnath’s mother raises questions of authorship, while still delivering quite a wallop of a story. Lane Williamson reviews.
A thrilling, thought-provoking political work by Tina Satter based on a real-life FBI transcript that unsettles with strong performances. Joey Sims reviews.
The overarching impact is as elusive as the act of remembering in Ngozi Anyanwu’s new play. Kev Berry reviews.
Dan O’Neil takes a road trip through Jordan Harrison’s play on history.
Billy Crudup plays a complicated nobody. Loren Noveck isn’t sure how much to believe him.
Hear no evil.
Life during wartime.