Richard Patterson reviews Dickie Beau’s challenging drag tribute to Monroe and Garland.
Off-Broadway
6 October 2017
Reviews • NYC • Off-Broadway
Review: Paradiso: The Memory Room
By Dan O'Neil
Dan O’Neil steps into an escape room as part of an immersive theater project.
2 October 2017
Reviews • NYC • Off-Broadway
Review: As You Like It at Classic Stage
Classic Stage Company ⋄
By Lane Williamson
Lane Williamson finds a lifeless production in director John Doyle’s hands, starring Ellen Burstyn.
29 September 2017
Reviews • NYC • Off-Broadway
Review: The Great Outdoors at FIAF Florence Gould Hall
French Institute Alliance Française ⋄
By Molly Grogan
Annie Dorsen wants to dissuade you from taking a social media break. Molly Grogan reviews.
27 September 2017
Reviews • NYC • Off-Broadway
Review: The Treasurer at Playwrights Horizons
Playwrights Horizons ⋄
By Cameron Kelsall
Cameron Kelsall calls bullshit at the hell Max Posner reserves for an over-burdened son.
27 September 2017
Reviews • NYC • Off-Broadway
Review: One Night Only (running as long as we can) at WP Theater
McGinn/Cazale (WP Theater) ⋄
By Loren Noveck
Loren Noveck finds unexpected emotion in Monica Bill Barnes’ newest dance-theater work.
26 September 2017
Reviews • NYC • Off-Broadway
Review: Mary Jane at New York Theatre Workshop
New York Theatre Workshop ⋄ 25th September - 29th October 2017
By Juliet Hindell
Juliet Hindell reviews Amy Herzog’s new play about navigating the US health care system. Side effects may occur.
24 September 2017
Reviews • Musicals • Off-Broadway
KPOP at A.R.T./New York Theatres
ART/New York ⋄ 22nd September - 7th October 2017
By Loren Noveck
Loren Noveck immerses herself in a full-on simulation of a K-pop “factory” and comes out humming.
22 September 2017
Reviews • NYC • Off-Broadway
Review: Oh My Sweet Land in various locations
By Molly Grogan
Molly Grogan reviews the US premiere of Amir Nizar Zuabi’s 2014 play about the Syrian conflict and humanitarian crisis.
19 September 2017
Reviews • NYC • Off-Broadway
Review: For Peter Pan on her 70th birthday at Playwrights Horizons
Playwrights Horizons ⋄ To 1st October 2017
By Curtis Russell
Curtis Russell reviews “a rare miss” from Sarah Ruhl: “safe and sane and totally harmless.”