Alison Durkee reviews Jen Silverman’s moody riff on the Brontë sisters’ women.
Off-Broadway
23 March 2017
Reviews • NYC • Off-Broadway
Review: Steve of Tomorrow at The Collapsable Hole
Through 1st April 2017
By Seth Simons
The future is now, maybe. Seth Simons reviews.
22 March 2017
Reviews • NYC • Off-Broadway
Review: 887 at BAM Harvey Theater
BAM Harvey Theatre ⋄ 16th - 26th March 2017
By Molly Grogan
Robert Lepage takes it home. Molly Grogan reviews.
22 March 2017
Reviews • NYC • Off-Broadway
Review: The Terrifying at Abrons Arts Center
Abrons Arts Center ⋄ 19th March - 2nd April 2017
By Loren Noveck
Loren Noveck reviews Julia Jarcho’s fairytale/horror story inspired by archetypal fears and a little Gogol.
20 March 2017
Reviews • NYC • Off-Broadway
Review: Omega Kids at Access Theater
Access Theater ⋄ 2nd - 25th March 2017
By Nicole Serratore
Bleary-eyed, late night conversation of comics, sexuality, and connection in Noah Mease’s Omega Kids. Nicole Serratore reviews.
20 March 2017
Reviews • NYC • Off-Broadway
Review: The Light Years at Playwrights Horizons
Playwrights Horizons ⋄ To 2nd April 2017
By Gabe Cohn
Gabe Cohen reviews The Debate Society’s new play, connecting two different Chicago world’s fairs.
16 March 2017
Reviews • NYC • Off-Broadway
Review: Sundown, Yellow Moon at McGinn/Cazale (WP Theater)
McGinn/Cazale (WP Theater) ⋄ 14th March - 1st April 2017
By Dan O'Neil
Dan O’Neil reviews Rachel Bonds’ “nighttime play with songs.”
14 March 2017
Reviews • NYC • Off-Broadway
Review: HOME/SICK at Jack
JACK ⋄ 9th - 25th March 2017
By Nicole Serratore
The Assembly looks back on 1960’s protest and action in HOME/SICK.
14 March 2017
Reviews • NYC • Off-Broadway
Review: Nibbler at Rattlestick Playwrights Theater
Rattlestick Playwrights Theater ⋄ To 19th March 2017
By Lane Williamson
An alien gives the audience some unsatisfying hickeys, courtesy of Ken Urban. Lane Williamson reviews.
13 March 2017
Reviews • NYC • Off-Broadway
Review: Villa at The Wild Project
The Wild Project ⋄ 12th March - 1st April 2017
By Molly Grogan
Guillermo Calderón puts teeth in a question of historical memory. Molly Grogan reviews.