A climate change opera with a sly libretto is undone by a casually messy staging in an undersized venue. Nicole Serratore reviews.
A stage adaptation of Édouard Louis’ queer coming of age novel brings up our writer’s own childhood memories. Joey Sims reviews.
Dead Centre presents a meditation on death and grief with a remarkable performance from a young actor. Nicole Serratore reviews.
Brazillian director Christiane Jatahy brings her theatre-and-film adaptation of Chekhov’s “Three Sisters” to BAM in an excavation of three women’s psyches. Lane Williamson reviews.
Cake and French absurdism abound in this mashup of five Ionesco plays, brought to the U.S. by the renowned Théâtre de la Ville. Lane Williamson reviews
Tel-Aviv’s PuppetCinema visits the US with an adaptation of Etgar Keret’s short stories. Alison Walls reviews.
Molly Grogan reviews Ripe Time’s adaptation of the Haruki Murakami story.
Ran Xia reviews Big Dance Theater’s interpretation of the diaries of Samuel Pepys.
Loren Noveck experiences the limits of unchecked invention.
Molly Grogan reviews Yana Ross’ slow-burning study of loneliness in the age of hyper connectivity.