Four unsettling Caryl Churchill one-acts resonate in complex ways. Loren Noveck reviews.

A trip into the world of sumo that’s visually stunning if sometimes lacking in nuance. Lorin Wertheimer reviews.

A play of big ideas that never quite finds its footing. Loren Noveck reviews.

Suzan-Lori Parks’s play-within-a-play opens challenging conversations and leaves us to do the rest. Loren Noveck reviews.

An encore run of Liza Birkenmeier’s play gives you a chance to catch up with her hilarious characters fumbling through life and loss. Nicole Serratore reviews.

A clash of eloquent viewpoints grapples with the struggle for moral certainty in a world where everyone’s experience reveals uncomfortable truths. Loren Noveck reviews.

Mary Kathryn Nagle’s new play gets bogged down in its expository details. Loren Noveck reviews.

Erika Dickerson-Despenza’s Katrina Cycle kicks off with a gorgeous production at the Public. Loren Noveck reviews.

Ryan J. Haddad’s new work is at once an eye-opening look into disability and a radical experiment in accessibility. Loren Noveck reviews.