In the jungle of womanhood. Molly Grogan reviews Catherine Filloux’s newest play.
Off-Broadway
23 April 2017
Reviews • NYC • Off-Broadway
Review: Wink at Theater for the New City
Theater for the New City ⋄ 19th April - 7th May 2017
By Kev Berry
Kev Berry gets frustrated with Neil Koenigsberg’s play about gender identity set in Hollywood.
19 April 2017
Reviews • NYC • Off-Broadway
Review: Charleses at The Brick
13th - 29th April 2017
By Robert Norman
Robert Norman reviews Carl Holder’s multi-generational study of masculinity and inheritance.
17 April 2017
Reviews • NYC • Off-Broadway
Review: Angel & Echoes at 59E59
59E59 Theaters ⋄ 11th April - 7th May 2017
By Loren Noveck
Loren Noveck reviews Henry Naylor’s pair of one-acts about gender and violence in the Middle East.
17 April 2017
Reviews • NYC • Off-Broadway
Review: Vanity Fair at The Pearl Theatre
Pearl Theater ⋄ Through 14th May 2017
By Alison Durkee
Alison Durkee reviews Kate Hamill’s fresh adaptation of a 19th century classic.
14 April 2017
Reviews • NYC • Off-Broadway
Review: The Profane at Playwrights Horizons
Playwrights Horizons ⋄ 9th - 30th April 2017
By Kev Berry
Kev Berry reviews Zayd Dohrn’s play about Muslim American identities.
6 April 2017
Reviews • NYC • Off-Broadway
Review: Gently Down the Stream at The Public Theater
Public Theatre ⋄ 5th April - 21st May 2017
By Lane Williamson
Rearranging the furniture: Lane Williamson reviews Martin Sherman’s new play at the Public Theater.
5 April 2017
Reviews • NYC • Off-Broadway
Review: American Mill No. 2 at ART/New York Theatres
ART/New York ⋄ 30th March - 9th April 2017
By Nicole Serratore
Docudrama about mill worker/activist Ella May Wiggins gives a glimpse into labor history
24 March 2017
Reviews • NYC • Off-Broadway
Review: The Moors at The Duke on 42nd Street
The Duke on 42nd St ⋄
By Alison Durkee
Alison Durkee reviews Jen Silverman’s moody riff on the Brontë sisters’ women.
23 March 2017
Reviews • NYC • Off-Broadway
Review: Steve of Tomorrow at The Collapsable Hole
Through 1st April 2017
By Seth Simons
The future is now, maybe. Seth Simons reviews.