A new musical about revolutionary artists storms the stage at New York Theatre Workshop, but finds less success than its predecessor. Lorin Wertheimer reviews.

Lesbian sex farce + Tony Kushner’s Angel + the Greeks + Restoration comedy + a woke white man = too many influences for one comedy to handle. Loren Noveck reviews.

This poem-play from Inua Ellams is a mélange of interesting images, ideas, and theatrical moments but lacks cohesion. Nicole Serratore reviews.

Celine Song’s new play mixes brutal truth, barnstorming set pieces, and a bit of magic. Joey Sims reviews.

Ghosts are hard to escape in these two parts of Mfoniso Udofia’s Ufot Cycle, but the family matriarch, Abasiama, forces herself to try. Ran Xia reviews.

Thaddeus Phillips plays an unnamed traveler as well as everyone he encounters crossing the titular seventeen borders in this tour de force solo play. Alicia Kort reviews.