Dominique Morisseau “leaves the confines of realism…and offers a challenging new paradigm” in the second play of her Signature residency. Patrick Maley reviews.
Director Arin Arbus digs into Shakespeare’s play to show us, anew, what’s been there all along. Patrick Maley reviews.
Dominique Morisseau’s play is the centerpiece of her “Detroit Project” trilogy, and also its heart. Patrick J. Maley reviews.
New dimensions are drawn from the characters of Lynn Nottage’s play in an operatic adaptation with music by Ricky Ian Gordon. Patrick J. Maley reviews.
An online rendering of Conor McPherson’s The Weir highlights our pandemic loneliness. Pat Maley reviews.
Like Bob Dylan’s music itself, this quasi-jukebox musical from Conor McPherson is filled with yearning, sadness, and humanity. Patrick Maley reviews.
Katori Hall returns to Memphis and brings the dialect of the city to simmering life in her new play. Patrick Maley reviews.
A creative retelling of an old tale performed with verve and playfully written by Donnetta Lavinia Grays. Patrick Maley reviews.
Bedlam puts the actors where the audience would be in this gripping revival of Arthur Miller’s play. Patrick Maley reviews.
A gripping production of Brian Friel’s interlaced monologues. Patrick Maley reviews.