An online rendering of Conor McPherson’s The Weir highlights our pandemic loneliness. Pat Maley reviews.
Like Bob Dylan’s music itself, this quasi-jukebox musical from Conor McPherson is filled with yearning, sadness, and humanity. Patrick Maley reviews.
Katori Hall returns to Memphis and brings the dialect of the city to simmering life in her new play. Patrick Maley reviews.
A creative retelling of an old tale performed with verve and playfully written by Donnetta Lavinia Grays. Patrick Maley reviews.
Bedlam puts the actors where the audience would be in this gripping revival of Arthur Miller’s play. Patrick Maley reviews.
A gripping production of Brian Friel’s interlaced monologues. Patrick Maley reviews.
While not his finest work, this penetrating portrait of a shattered man by Conor McPherson gets an empathetic production. Patrick Maley reviews.
8 years of Shakespearean pubcrawls has taught the artists behind ShakesBEER a lot. Patrick Maley explores the history of this NYC tradition.
Patrick Maley sees his first opera, the intriguing and baffling Nixon in China.
Three productions of Sean O’Casey’s plays at the Irish Rep showcase his genius. Pat Maley soaks them all in in one day.