Selina Fillinger’s raucous comedy brings lots of needed laughs. Lane Williamson reviews.
Thornton Wilder’s ever-relevant play returns in a powerful, but inconsistent revival at Lincoln Center. Cameron Kelsall reviews.
The Met premieres another new production of Donizetti’s opera, this time in the hands of Australian auteur Simon Stone. Cameron Kelsall reviews.
James McAvoy gives a performance for the history books in Jamie Lloyd’s bold revival. Lane Williamson reviews.
Juliet Hindell finds the stunts captivating, but the interpretation of a classic puzzling and without the magic and mystery of the original.
Dominique Morisseau “leaves the confines of realism…and offers a challenging new paradigm” in the second play of her Signature residency. Patrick Maley reviews.
Shaina Taub’s new musical tells a nuanced and complex history of the fight for women’s suffrage. Loren Noveck reviews.
Ars Nova and composer Heather Christian present an indescribable, must-see theatrical experience where eighteen singers & musicians explore our individual and collective relationship to time. Lane Williamson reviews.
Daniel Krane felt the beating heart of this show, but it left him craving more love poems and less enigma.
Billy Porter directs and revises a concert production of this 1997 musical with varying degrees of success, but a standout performance by Ledisi is worth any bumps along the way. Lane Williamson reviews.