Exposition bogs down a play about the neuroscience of memory and the persistence of trauma. Loren Noveck reviews.
Lloyd Suh’s comedy exposes the hollow promise at the root of shallow theatrical representation. Daniel Krane reviews.
Hansol Jung’s new play at Soho Rep asks what it means to make a family, and how we live when that goes wrong. Loren Noveck reviews.
Hugh Jackman and Sutton Foster star in a curiously flat revival that tries to reshape the musical to fit its stars. Lane Williamson reviews.
Director Arin Arbus digs into Shakespeare’s play to show us, anew, what’s been there all along. Patrick Maley reviews.
Juliet Hindell reviews an inventively wacky two-man musical about the unsung dog heroes at the heart of the Russian space program.
Dominique Morisseau’s play is the centerpiece of her “Detroit Project” trilogy, and also its heart. Patrick J. Maley reviews.
New dimensions are drawn from the characters of Lynn Nottage’s play in an operatic adaptation with music by Ricky Ian Gordon. Patrick J. Maley reviews.
Pam Tanowitz + T.S. Eliot + Kathleen Chalfant + Brice Marden = a cornucopia of dance theater. Loren Noveck reviews.
Joshua Harmon’s new play is poignant and passionate, though perhaps more than making its point. Juliet Hindell reviews.