Loren Noveck feels like hope is hard to come by right now, and Eboni Booth’s new play succeeds in bringing us just a little.

Hilary Bettis’s new play works best when it trusts its smallness. Joey Sims reviews.

Cameron Kelsall thought he’d seen it all when it came to Macbeth. But then this clever, tuneful musical adaptation that transports Birnam Wood to a 1970s fast-food joint snuck in through the drive-thru window.

April Matthis gives a passionate performance as a historic baseball player and a woman out of time in Lydia Diamond’s play. Nicole Serratore reviews.

Yet another attempt to fix Merrily when it would have been better served by embracing its weirdness and flaws. Curtis Russell reviews.

Retrograde gender politics reduce a woman’s life choices to “Heads, you lose; tails, you’re a bitch” in the dated Apologia. Cameron Kelsall reviews.