The Civilians go knocking at death’s door. Molly Grogan finds them alive and well.
Reviews
23 September 2016
Reviews • NYC • Off-Broadway
Review: Hamlet at the Public Theatre
Public Theatre ⋄ 22nd September - 9th October 2016
By Gabe Cohn
The Prince of Denmark in the age of the iPhone: Gabe Cohn reviews a new Mobile Unit production.
22 September 2016
Reviews • NYC • Off-Broadway
Review: Hit the Body Alarm at The Performing Garage
The Performing Garage ⋄ 20th September - 2nd October 2016
By Loren Noveck
Loren Noveck discovers “a darkly luminous meditation on freedom, captivity, mortality, and memory.”
22 September 2016
Reviews • NYC • Off-Broadway
Review: Room 4 at The People's Improv Theater
The Peoples Improv Theater ⋄
By Seth Simons
Seth Simons enjoys a “loopy” one-act with just the right punch.
21 September 2016
Reviews • NYC • Off-Broadway
Review: Crackskull Row at The Workshop Theater
The Workshop Theater ⋄ 5th - 5th September 2016
By Molly Grogan
Dan O’Neil finds that eclectic ingredients don’t always make for a successful recipe.
21 September 2016
Reviews • NYC • Off-Broadway
Life and Times, Episodes 7-9
Anthology Film Archives ⋄ 24th September 2016
By Molly Grogan
Molly Grogan sits down to the latest and concluding episodes of Nature Theater of Oklahoma’s verbatim epic.
20 September 2016
Reviews
Review: Girls at HighTide
By Alice Saville
Theresa Ikoko’s Girls is a story of three kidnapped teenagers.
20 September 2016
Reviews
Review: Pilgrims at High Tide
By Alice Saville
Alice Saville reviews Elinor Cook’s slippery look at mountaineering and gender politics at High Tide Festival.
20 September 2016
Reviews • NYC • Off-Broadway
Review: A Taste of Honey at the Pearl Theatre
Pearl Theatre ⋄ 6th September - 30th October 2016
By Nicole Serratore
Nicole Serratore reviews a rare revival of A Taste of Honey which “offers an opportunity for the voices of these complicated women in messy relationships to, at long last, be heard.”
16 September 2016
Reviews • NYC • Off-Broadway
The Birds
59E59 Theaters ⋄ 9th September - 4th October 2016
By Patrick Maley
Patrick Maley reports from a claustrophobic production of Conor McPherson’s apocalypse.