Kev Berry finds pain and commiseration in Yara Travesio’s crowded club performance.
Reviews
20 January 2017
Reviews • NYC • Off-Broadway
Review: The Tempest at St. Ann's Warehouse
St. Ann's Warehouse ⋄ 13th January - 19th February 2017
By Loren Noveck
Loren Novek reviews the transfer of Phyllida Lloyd’s The Tempest to St Ann’s Warehouse.
18 January 2017
Reviews • NYC • Off-Broadway
Review: Made in China at 59E59
59E59 Theaters ⋄ 10th January - 19th February 2017
By Molly Grogan
Wakka Wakka’s puppet musical slays American consumerism and Chinese stereotypes. Molly Grogan reviews.
18 January 2017
Reviews • NYC • Off-Broadway
Review: Piece for Person and Ghetto Blaster
La Mama ⋄ 11th - 14th January 2017
By Dan O'Neil
Nicola Gunn moves through a moral conundrum. Dan O’Neil reviews.
17 January 2017
Reviews
Review: The Beauty Queen of Leenane at BAM Harvey
Through 5th February 2017
By Patrick Maley
Patrick Maley reviews Druid Theatre’s powerful revival in NYC.
17 January 2017
Reviews • NYC • Off-Broadway
Review: Latin Standards at Public Theater
Public Theater ⋄ 11th - 15th January 2017
By Seth Simons
Seth Simons reviews a touching, lively tribute to Willy Chevalier.
15 January 2017
Reviews • NYC • Off-Broadway
Review: Time of Women at Tisch School of the Arts
NYU Tisch School of the Arts ⋄ 12th - 15th January 2017
By Molly Grogan
Belarus Free Theater focuses on the present while looking back at 2010. Molly Grogan reviews.
12 January 2017
Reviews • NYC • Off-Broadway
Review: La Mélancholie des Dragons at The Kitchen
The Kitchen ⋄ 10th -14th January 2017
By Molly Grogan
Philippe Quesne’s Vivarium Studio inflates its park of dreams at Under the Radar. Molly Grogan reviews.
9 January 2017
Reviews • NYC • Off-Broadway
Review: Holden at New Ohio Theatre
New Ohio Theater ⋄ 5th - 14th January 2017
By Robert Norman
Anisa George asks us where to draw the line between romantic and horrific. Robert Norman reviews.
9 January 2017
Reviews • NYC • Off-Broadway
Review: The Bitter Game at The Public Theater
Public Theater ⋄ 6th - 9th January 2017
By Joseph Charnitski
Joseph Charnitski reviews “actorvist” Keith A. Wallace’s solo reflection on the value of Black lives in America today.