Arjun Sajip reviews a story of how one woman’s dreams go down the pan, set against a backdrop of legendary Nigerian musician Fela Kuti’s music.
Reviews
8 April 2017
Reviews
Review: Finders Keepers at Park Theatre
Park Theatre ⋄
By Daniel Perks
This joyful show for Deaf and hearing families is inspired by the story of Moses.
6 April 2017
Reviews • NYC • Off-Broadway
Review: Gently Down the Stream at The Public Theater
Public Theatre ⋄ 5th April - 21st May 2017
By Lane Williamson
Rearranging the furniture: Lane Williamson reviews Martin Sherman’s new play at the Public Theater.
5 April 2017
Reviews • NYC • Off-Broadway
Review: American Mill No. 2 at ART/New York Theatres
ART/New York ⋄ 30th March - 9th April 2017
By Nicole Serratore
Docudrama about mill worker/activist Ella May Wiggins gives a glimpse into labor history
4 April 2017
Reviews • Broadway • NYC
Review: Amélie at Walter Kerr Theatre
Walter Kerr Theatre ⋄ 9th March - 1st October 2017
By Dan O'Neil
Amélie fans, look away now – it’s been adapted into a Disneyfied Broadway musical that’s “workmanlike at best”.
4 April 2017
Reviews • Broadway • NYC
Review: Sweat at Studio 54
Studio 54 ⋄ 4th March - 24th September 2017
By Patrick Maley
Lynn Nottage brings a fresh eye to labor, capitalism, and the American factory worker in Sweat.
3 April 2017
Reviews • Broadway • NYC
Review: The Play That Goes Wrong at Lyceum Theatre
Lyceum Theatre ⋄ 9th March - 3rd September
By Kev Berry
London’s fringe hit comedy has transferred to Broadway. But does the humour translate? Kev Berry reviews.
28 March 2017
Reviews
Review: Big Guns at The Yard Theatre
The Yard Theatre ⋄
By Alice Saville
Nina Segal’s play about violence shows how the internet turns us all into our own worst nightmares.
24 March 2017
Reviews • NYC • Off-Broadway
Review: The Moors at The Duke on 42nd Street
The Duke on 42nd St ⋄
By Alison Durkee
Alison Durkee reviews Jen Silverman’s moody riff on the Brontë sisters’ women.
23 March 2017
Reviews • NYC • Off-Broadway
Review: Steve of Tomorrow at The Collapsable Hole
Through 1st April 2017
By Seth Simons
The future is now, maybe. Seth Simons reviews.