Lynn Nottage anthropomorphizes a mighty elephant and the ivory trade that felled it. Patrick Maley reviews.
Off-Broadway
14 April 2018
Reviews • NYC • Off-Broadway
Review: This Flat Earth at Playwrights Horizons
Playwrights Horizons ⋄ Through 29th April 2018
By Gabe Cohn
Gabe Cohn reviews Lindsey Ferrentino’s out-of-touch response to school shootings.
13 April 2018
Reviews • NYC • Off-Broadway
Review: The Lucky Ones at The Connelly Theater
Connelly Theater ⋄ To 28th April 2018
By Lane Williamson
Lane Williamson considers The Bengsons’ “complicated relationship with the truth” in their newest musical.
11 April 2018
Reviews • NYC • Off-Broadway
Review: Miss You Like Hell at The Public Theater
Public Theater ⋄ To 6th May 2018
By Charlotte Arnoux
Charlotte Arnoux reviews Quiara AlegrÃa Hudes’ feminist road trip.
10 April 2018
Reviews • NYC • Off-Broadway
Review: Feeding the Dragon at Cherry Lane Theatre
Cherry Lane Theatre ⋄ To 27th April 2018
By Joey Sims
Joey Sims reviews Sharon Washington’s autobiographical solo show.
9 April 2018
Reviews • NYC • Off-Broadway
Review: Pay No Attention to the Girl at The Doxsee
The Doxsee ⋄ To 21st April 2018
By Loren Noveck
Target Margin Theater explores gender in The One Thousand and One Nights. Loren Noveck reviews.
31 March 2018
Reviews • NYC • Off-Broadway
Review: War and Peace at NYU Skirball
NYU Skirball Center ⋄ 29th - 31st March 2018
By Molly Grogan
Gob Squad deconstructs Tolstoy. Molly Grogan reviews.
20 March 2018
Reviews • NYC • Off-Broadway
Review: Shooter at Theaterlab
Theaterlab ⋄
By Gabe Cohn
Sam Graber takes aim at the psychology of men who carry out mass shootings. Gabe Cohn reviews.
19 March 2018
Reviews • NYC • Off-Broadway
Review: Good for Otto at Pershing Square Signature Center
Pershing Square Signature Center ⋄ 8th March - 8th April 2018
By Cameron Kelsall
Cameron Kelsall reviews David Rabe’s newest play.
15 March 2018
Reviews • NYC • Off-Broadway
Review: The Fall at St. Ann’s Warehouse
St. Ann's Warehouse ⋄
By Loren Noveck
Loren Noveck reviews the NYC transfer of South Africa’s Baxter Theater’s Edinburgh hit.