Better than Creme Eggs: Louise Jones reviews Northern Broadsides’s hugely entertaining version of Cyrano de Bergerac.
Reviews
17 April 2017
Reviews • NYC • Off-Broadway
Review: Angel & Echoes at 59E59
59E59 Theaters ⋄ 11th April - 7th May 2017
By Loren Noveck
Loren Noveck reviews Henry Naylor’s pair of one-acts about gender and violence in the Middle East.
17 April 2017
Reviews • NYC • Off-Broadway
Review: Vanity Fair at The Pearl Theatre
Pearl Theater ⋄ Through 14th May 2017
By Alison Durkee
Alison Durkee reviews Kate Hamill’s fresh adaptation of a 19th century classic.
14 April 2017
Reviews • NYC • Off-Broadway
Review: The Profane at Playwrights Horizons
Playwrights Horizons ⋄ 9th - 30th April 2017
By Kev Berry
Kev Berry reviews Zayd Dohrn’s play about Muslim American identities.
11 April 2017
Reviews
Review: The Goat at Theatre Royal Haymarket
By Alice Saville
Edward Albee’s play is “a wonderfully complex exploration of the boundaries of sexual freedom”.
11 April 2017
Reviews
Review: The Hearing Trumpet at Theatre Delicatessen, Peckham
Until April 29th, 2017
By Alice Saville
A muddled adaptation of Leonora’s surrealist novel in Peckham’s new theatre space.
11 April 2017
Reviews • Broadway • NYC
Review: The Price at American Airlines Theatre
American Airlines Theatre ⋄ 16TH FEBRUARY 2017 – 14TH MAY 2017
By Martha Wade Steketee
Martha Wade Steketee reviews Arthur Miller’s sibling drama of family legacies
8 April 2017
Reviews
Review: Expensive Shit at Soho Theatre
Soho Theatre ⋄ Until 22nd April, 2017
By Arjun Sajip
Arjun Sajip reviews a story of how one woman’s dreams go down the pan, set against a backdrop of legendary Nigerian musician Fela Kuti’s music.
8 April 2017
Reviews
Review: Finders Keepers at Park Theatre
Park Theatre ⋄
By Daniel Perks
This joyful show for Deaf and hearing families is inspired by the story of Moses.
6 April 2017
Reviews • NYC • Off-Broadway
Review: Gently Down the Stream at The Public Theater
Public Theatre ⋄ 5th April - 21st May 2017
By Lane Williamson
Rearranging the furniture: Lane Williamson reviews Martin Sherman’s new play at the Public Theater.