Anne Washburn’s new play crosses the line from intriguingly elliptical into frustratingly opaque. Loren Noveck reviews.

A bravura performance anchors this explosion of kinetic energy. Loren Noveck reviews.

A piece of digital theater from the depths of the pandemic feels different in three dimensions. Loren Noveck reviews.

A verbatim play about the abduction of Lucas Hnath’s mother raises questions of authorship, while still delivering quite a wallop of a story. Lane Williamson reviews.

A thrilling, thought-provoking political work by Tina Satter based on a real-life FBI transcript that unsettles with strong performances. Joey Sims reviews.

The overarching impact is as elusive as the act of remembering in Ngozi Anyanwu’s new play. Kev Berry reviews.

Dan O’Neil takes a road trip through Jordan Harrison’s play on history.

Hear no evil.