Loren Noveck reviews the NYC transfer of South Africa’s Baxter Theater’s Edinburgh hit.

Molly Grogan reviews Schaubühne Berlin’s adaptation of Didier Eribon’s memoir.

Ran Xia finds enjoyable enigmas in Enda Walsh’s newest play.

Joseph Charnitski reviews the US transfer of the National Theatre’s production.

Molly Grogan visits Enda Walsh’s city of ghosts.

Loren Novek reviews the transfer of Phyllida Lloyd’s The Tempest to St Ann’s Warehouse.

Kev Berry remembers “the greatest day of my life” with Taylor Mac.

The Young Vic’s 2014 production of “Streetcar” sounds a little tone deaf in its US premiere but strikes a nerve with its battle of the sexes, where Gillian Anderson delivers a Blanche DuBois we can root for.

Wicked.