Molly Grogan reviews Ivo van Hove’s clinical study of Shakespeare’s power wars.
NYC
6 November 2016
Reviews • NYC • Off-Broadway
Review: Attorney Street at Axis Theatre
Axis Theatre ⋄ 26th October - 19th November 2016
By Joseph Charnitski
Seeing NYC’s streets through Edgar Oliver’s eyes. Joe Charnitski reviews.
5 November 2016
Reviews • NYC • Off-Broadway
Review: Vietgone at MTC
New York City Center - Stage I ⋄ 4th October - 27th November
By Nicole Serratore
Playwright Qui Nguyen merges a comic book aesthetic with his parents’ romance in a refugee camp
1 November 2016
Reviews • NYC • Off-Broadway
Review: Request Concert at BAM Fischer
BAM Fisher ⋄ 26th - 29th October 2016
By Molly Grogan
Molly Grogan reviews Yana Ross’ slow-burning study of loneliness in the age of hyper connectivity.
31 October 2016
Reviews • Broadway • NYC
Review: Hamilton at the Richard Rogers Theatre
By Molly Grogan
Molly Grogan reviews Hamilton ahead of its arrival in London.
25 October 2016
Reviews • NYC • Off-Broadway
Review: Plenty at The Public Theater
Public Theatre ⋄ 20th October - 20th November 2016
By Molly Grogan
A 60 year anniversary does not a compelling revival make. Molly Grogan reviews.
25 October 2016
Reviews • NYC • Off-Broadway
Review: A Life at Playwrights Horizons
Playwrights Horizons ⋄ 24th October - 27th November 2016
By Loren Noveck
Adam Bock sets us up, to better upend expectations. Loren Noveck reviews.
24 October 2016
Reviews • NYC • Off-Broadway
Review: Duat at The Connelly Theater
Connelly Theater ⋄ 11th October - 6th November 201
By Tom Wicker
Tom Wicker reviews Daniel Alexander Jones’ ode to race, queerness and difference.
19 October 2016
Reviews • NYC • Off-Broadway
Review: A 24-Decade History of Popular Music: 1900–1950s
St. Ann's Warehouse ⋄ 8th - 9th October 2016
By Kev Berry
Kev Berry remembers “the greatest day of my life” with Taylor Mac.
19 October 2016
Reviews • NYC • Off-Broadway
Review: Chris Gethard: Career Suicide
Lynn Redgrave Theater ⋄ 5th October -27th November 2016
By Seth Simons
Standup meets storytelling in this darkly funny solo show. Seth Simons reviews.