With intimacy and intensity, Riz Ahmed performs a personal gig-storytelling show that looks at the complexities of post-colonial identity. Nicole Serratore reviews.
A short film sequel to a film noir stage show set during a fictional plague now mirrors our real one. Nicole Serratore reviews.
A gathering of absent family by proxy jumpstarts an important conversation about Middle Eastern representation and humanity. Nicole Serratore reviews.
A stage-to-screen adaption of August Wilson’s play, showcases an electric Viola Davis and an incandescent Chadwick Boseman in his final screen appearance. Nicole Serratore reviews.
Amir Nizar Zuabi’s play of a father and son cooking with each other over Zoom is warm but cloying. Nicole Serratore reviews.
Daniel Kitson’s new show is a travelogue through the pandemic offering a bit of a hug. Nicole Serratore is not yet ready for hugs.
An experimental mosaic of images and ideas on America’s crimes against Black men gets a vivid airing in Paul Outlaw’s new work.
Going full maximalism, this live streaming show is skewering satire of white supremacy in gay circles.
An interactive, phone-based show makes you think about celebrity, media, history, and memory. Nicole Serratore reviews.
Andrew Scott, with shades of anger, nonchalance, and self-awareness brings to life a new monologue about a narcissistic absent father and the sons he’s left behind. Nicole Serratore reviews.