Trapped in a bad date that won’t end, Terrence McNally’s play tests our patience. Nicole Serratore resists and reviews.
A new interpretation of Little Women from Kate Hamill delivers a garbled message about identity and pursuing your dreams. Nicole Serratore reviews.
The performances still make Arthur Miller’s play rattle albeit in a pedestrian, literal production. Nicole Serratore reviews.
Skillful design is failed by a contrived, thin narrative in this puppet-driven show. Nicole Serratore reviews.
Absurd and kooky, but an effective transposition of Macbeth to a boxing ring by Japanese company Kaimaku Pennant Race. Nicole Serratore reviews
Nicole Serratore, a human, and Phyl, a plant, discuss a funny, probing show which looks at plant intelligence and life.
A meditation on abuse, power, and control in performance and beyond. Nicole Serratore reviews.
A look at historic Vietnam War activism takes a detached archival approach. Nicole Serratore reviews.
Capitalism comes for all of us but I did not know it could taste this sweet. Nicole Serratore reviews a live candy commercial for reasons she does not understand.
At the 4th annual Exponential Festival, Nicole Serratore finds frequent laughs and is only mildly hostile about taking off her shoes.