Loren Noveck can’t find the “why” in this revival.

“There is a value to…approach[ing] unfettered capitalism with a critical eye,” writes our critic, but Stefano Massini’s play (as adapted by Ben Power) doesn’t keep its gaze trained where it should. Cameron Kelsall reviews.

You’re better off sticking with your worn out VHS copy of the film than delving into this new musical. Nicole Serratore reviews