Frances Ya-Chu Cowhig’s adaptation of a 13th-century Chinese drama has power and ideas to spare, but the whole is sometimes less than the sum of its parts. Loren Noveck reviews.
A jumbled production brings down the first rate cast in this revival of Stephen Sondheim and John Weidman’s musical. Lane Williamson reviews.
Stage adaptations of two classic horror stories oddly offer few chills. Kev Berry reviews.
Real-life couple Nadia Bowers and Corey Stoll take different approaches to the Macbeths in John Doyle’s tragi-comic production. Maya Phillips reviews.
John Doyle’s signature minimalism fails to amplify the storytelling in this revival of Marc Blitzstein’s satirical play in music. Lane Williamson reviews.
A volcanic performance by Raúl Esparza outshines the flaws in this revival of Brecht’s allegory play. Lane Williamson reviews.
Marin Ireland and Nathan Darrow heat up this minimalist production of the Tennessee Williams’s play.
Lane Williamson finds a lifeless production in director John Doyle’s hands, starring Ellen Burstyn.
Beauty is power.