A one-on-one theater theater piece online asks questions about the role of audience and the power of memory. Nicole Serratore reviews.
NYC
10 May 2020
Features • Dialogues and debates • NYC
Online Theater: The Familiar vs. The New
By Exeunt Staff
Our critics gather to talk about what theater they are watching online and why.
8 May 2020
Reviews • Broadway • NYC
Review: November on Spotlight on Plays
online ⋄ 7th May 2020
By Cameron Kelsall
A polished streamed reading shows the possibility of the format, but launches with a dated satirical Mamet play. Cameron Kelsall streams and reviews.
30 April 2020
Reviews • NYC • Off-Broadway
Review: What Do We Need To Talk About?
online ⋄ 29 April - 3 May 2020
By Joey Sims
Richard Nelson brings his Apply Family back for a Zoom call for our times. Joey Sims reviews the streaming experience.
17 April 2020
Features • NYC • Off-Broadway
Finding Connection With Theater Online
By Joey Sims
While the impact of online theater varies, Joey Sims finds there is still connection to be made and even something new to discover.
5 April 2020
Reviews • NYC • Off-Broadway
Review: Hamlet at Festival D’Avignon 2008
Schaubühne Theatre ⋄ Streamed Online 1 April 2020
By Nicole Serratore
Mud, laughs, and tears. Nicole Serratore streams Hamlet with Lars Eidinger and she’s not okay.
28 March 2020
Features • NYC
Letter from the Editor
By Nicole Serratore
Thinking of you all during this unprecedented moment.
28 March 2020
Features • NYC
Two Weeks of Theater Streaming
By Joey Sims
Self-isolation has led to an explosion of online theater streaming options. Joey Sims shares a few.
18 March 2020
Reviews • NYC • Off-Broadway
Review: 72 Miles to Go…at Roundabout Theatre
Laura Pels Theatre ⋄ Suspended through April 12
By Joey Sims
Hilary Bettis’s new play works best when it trusts its smallness. Joey Sims reviews.
16 March 2020
Reviews • NYC • Off-Broadway
Review: Unknown Soldier at Playwrights Horizons
Playwrights Horizons ⋄ Cancelled as of 12 March 2020
By Nicole Serratore
Rebellious and fractious, this new musical never quite pulls off its intentional tonal dissonance. Nicole Serratore reviews.