Nicole Serratore reviews Sam Gold’s bold reimaging of the Tennessee Williams’ classic
Broadway
27 January 2017
Reviews • Broadway • NYC
Jitney at Samuel J. Friedman Theatre
Samuel J. Friedman Theatre ⋄ 28th December 2016 - 12th March 2017
By Gabe Cohn
August Wilson’s voice in Jitney matters now more than ever. Gabe Cohn reviews.
11 December 2016
Reviews • Broadway • NYC
Review: Dear Evan Hansen at Music Box Theatre
Music Box Theatre ⋄ 14th November 2016 to 2nd July 2017
By Nicole Serratore
Dear Evan Hansen, a new musical by Pasek & Paul, speaking to the invisible teen in all of us.
5 December 2016
Reviews • Broadway • NYC
Review: A Bronx Tale at Longacre Theatre
Longacre Theatre ⋄
By Juliet Hindell
Chazz Palminteri’s nostalgic trip to 1960’s New York is set to music, with Robert De Niro and Jerry Zaks at the helm
31 October 2016
Reviews • Broadway • NYC
Review: Hamilton at the Richard Rogers Theatre
By Molly Grogan
Molly Grogan reviews Hamilton ahead of its arrival in London.
19 October 2016
Reviews • Broadway • NYC
Review: The Cherry Orchard at American Airlines Theatre
American Airlines Theatre ⋄ 15th September - 4th December 2016
By Dan O'Neil
Across-the-board uncertainty renders this Cherry Orchard unreadable
14 October 2016
Reviews • Broadway • NYC
Review: Heisenberg at Samuel J. Friedman Theatre
Samuel J. Friedman Theatre ⋄ 20th September -11th December 2016
By Lane Williamson
Simon Stephens’ new play turns a May-December romance on its head.
9 October 2016
Reviews • Broadway • NYC
Review: Holiday Inn at Studio 54
Studio 54 ⋄ 1st September - 15th January 2017
By Martha Wade Steketee
Shaking the blues away at Christmas at the Holiday Inn
30 September 2016
Reviews • Broadway • NYC
Review: The Encounter at the Golden Theatre
Golden Theatre ⋄ 20th Sept - 8th January 2017
By Nicole Serratore
Simon McBurney provides an aural rollercoaster and intellectual whiplash with The Encounter
11 May 2016
Reviews • Broadway • NYC
Review: American Psycho at Gerald Schoenfeld Theatre
Gerald Schoenfeld Theatre ⋄ Open ended run
By Nicole Serratore
“Blood-spattered satires of über-masculinity”: Nicole Serratore review the musical adaptation of Bret Easton Ellis’ novel.