Playing almost a dozen characters, Jen Tullock delivers a dizzyingly complex performance in a piece she co-wrote. Loren Noveck reviews.

Sarah Mantell’s play finds a flicker of hope in the face of climate catastrophe. Loren Noveck reviews.

A show that is quirky, surprising, and risk-taking should tick all Lorin Wertheimer’s boxes. And yet in this case, not so much.

The new horror comedy musical by Michael R. Jackson and Anna K. Jacobs is a wild, fast-moving, gleeful ride. Loren Noveck reviews.

Lorin Wertheimer finds that an alien ex machina leaves him cold in John J. Caswell’s new play.

Mia Chung’s new play uses a casting conceit to investigate the question “Do you know who you are?” to devastating effect. Loren Noveck reviews.

Rebellious and fractious, this new musical never quite pulls off its intentional tonal dissonance. Nicole Serratore reviews.

Claire Barron tries to break into the world of teen girls competition dancing. Loren Noveck reviews.

Cameron Kelsall reviews Robert O’Hara’s “feminist” play.

Curtis Russell reviews “a rare miss” from Sarah Ruhl: “safe and sane and totally harmless.”