Powerful docudrama gets a strange, absurdist gloss from director Fish. Nicole Serratore reviews.

A feminist take on a seminal art film ends up a lethargic theatrical staging with a small payoff. Nicole Serratore reviews.

An ambitious epic that never loses sight of the power of its familial ties. Lorin Wertheimer reviews.

Daniel Fish’s adaptation of Don DeLillo’s novel is more focused on the “tapestry of the book’s language” than conveying its plot. Lane Williamson reviews.

Enormous moles exhaust their possibilities in this adventurous French production. Dan O’Neil reviews.

This mash-up of Ancient Greek messenger speeches tries to break conventionality with a roving audience and miles of caution tape, but it ends up falling into its own traps. Alison Walls reviews.

A transgender autobiography that affirms identity but doesn’t always satisfy theatrically. Loren Noveck reviews.

Elevator Repair Service revives their marathon performance where every word of “The Great Gatsby” is performed. Dan O’Neil reviews.