“It’s imperfect, of course, but its imperfections…are part of the whole.” Loren Noveck reviews Pan Pan Theatre Company’s take on Chekhov.
Alison Walls reviews a show that “for all the skill on display and apparent desire to be avant-garde, is deeply regressive.”
Goodbye past, hello fame; Jonathan Capdevielle’s bumpy coming-of-age story is a raw, stand-out performance in American Realness/COIL.
The history of NYC Theatre.
A star is born.
Porn – the musical.
Mess and meltdown.