Exploiting one character’s trauma to help others to their emotional growth, this new musical tokenizes the experiences of vulnerable people. Teresa Kilzi reviews.
Live cooking notwithstanding, Theresa Rebeck’s newest play serves a plateful of stale tropes and underseasoned ideas about masculinity. Teresa Kilzi reviews.
Grace McLean’s chamber musical about Hildegard von Bingen wowed our critic with its unique use of musical textures. Teresa Kilzi reviews.
Christopher Shinn’s play about two lost souls in the wake of 9/11 has lost some of its power in the decade since its premiere. Teresa Kilzi reviews.
A deep dive into The Mad Ones’ latest outing: a group of strangers assemble to offer opinions on a children’s television show and reveal the subtleties of human interaction. Teresa Kilzi reviews.