Kicking off the new Diamond Series, Kelli O’Hara dazzles at Feinstein’s/54 Below. Lane Williamson reviews.
Cabaret
5 August 2021
Reviews • Cabaret • NYC
Review: Emily Skinner: A Broad with a Broad Broad Mind at Feinstein’s/54 Below
54 Below ⋄ 29 July-31 July
By Lane Williamson
Emily Skinner lays all her quarantine feelings out on the cabaret table in her new show at Feinstein’s/54 Below. Lane Williamson reviews.
15 December 2020
Reviews • Cabaret • NYC
Review: Norm Lewis: Christmastime is Here! at Feinstein’s/54 Below
54 Below ⋄ 17 December-31 December
By Lane Williamson
Norm Lewis brings a hefty dose of holiday cheer to a streaming series from Feinstein’s/54 Below. Lane Williamson reviews.
17 February 2020
Reviews • Cabaret • NYC
Review: Jeremy Jordan at Feinstein’s/54 Below
54 Below ⋄ February 12-February 29
By Lane Williamson
Jeremy Jordan bares his soul in a new cabaret show dedicated to unpacking the past and making room for the future. Lane Williamson reviews.
20 January 2020
Reviews • Cabaret • NYC
Review: Beth Leavel at Feinstein’s/54 Below
54 Below ⋄ 14 January - 20 January
By Lane Williamson
The Tony-winning powerhouse shows why she’s a star in this intimate celebration of her career at Feinstein’s/54 Below. Lane Williamson reviews.
12 January 2020
Reviews • Cabaret • NYC
Review: Falling for Make Believe at Joe’s Pub
Joe's Pub ⋄ January 8-17
By Lane Williamson
Ryan J. Haddad performs a cabaret about the theatre troupe he founded as a child. It’s a song for little boys who love musicals and the families who support them. Lane Williamson reviews.
26 September 2019
Reviews • Cabaret • NYC
Review: Jason Danieley at Feinstein’s/54 Below
54 Below ⋄ September 18-September 21
By Lane Williamson
Jason Danieley gives a “Heart to Heart” in this honest, moving cabaret show about his late wife, Marin Mazzie. Lane Williamson reviews.
13 January 2019
Reviews • Cabaret • NYC • Off-Broadway
Review: Train With No Midnight at HERE Arts Center
HERE Arts Center ⋄ 5 January - 13 January
By Lane Williamson
Joseph Keckler’s song cycle mixes an operatic baritone voice with pop music harmonies to create a distinctive theatrical beast. Lane Williamson reviews.