Circle in the Square Theatre
A funeral feels more like a party in Douglas Lyons' warm-hearted family comedy. Daniel Krane reviews.
Thermal cameras, hand sanitizer, and masks are the new normal for theaters in Korea. Hansol Oh saw 10 shows there and reports on her summer of theatergoing.
Paper Mill Playhouse
Carolee Carmello brings her incredible talent to a New Jersey revival of Jason Robert Brown's song cycle, but the piece is starting to show its age. Lane Williamson reviews.
Lucas Hnath makes harrowing and unsettling use of his mother's life, channeled through an extraordinary performance by Deirdre O'Connell, in a piece that raises questions about the ethics of documentary theater. Loren Noveck reviews.
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"There is a value to...approach[ing] unfettered capitalism with a critical eye," writes our critic, but Stefano Massini's play (as adapted by Ben Power) doesn't keep its gaze trained where it should. Cameron Kelsall reviews.
Various theater-adjacent projects offer alternatives for reading and interpreting theater at home. Nicole Serratore explores closet dramas and their ilk.
With a shortened 2020 theater season, we focus on the exciting artists we came across in 2020 and who we want to see more from in a post-pandemic theater world order.
The George Floyd protests opened up theater lobbies and has prompted a new dialogue about theater and race. Joey Sims investigates.
Stage managers pivot to Zoom. Joey Sims reports on how this job has shifted in pandemic times.
Our critics gather to talk about what theater they are watching online and why.
Loren Noveck muses on capturing a little bit of live theater's spark in Instagram monologues.
While the impact of online theater varies, Joey Sims finds there is still connection to be made and even something new to discover.
Thinking of you all during this unprecedented moment.