Live cooking notwithstanding, Theresa Rebeck’s newest play serves a plateful of stale tropes and underseasoned ideas about masculinity. Teresa Kilzi reviews.
While the musical’s book has problems, this new show from songwriter Ross Golan boasts a strong cast and addictive score. Ayanna Prescod reviews.
Halley Feiffer misses the point of the original play with her Millennial refashioning of Chekhov’s “Three Sisters.” Cameron Kelsall reviews.
Overpacked with events, Aziza Barnes’s 90-minute new play provides characters worth spending more time with. Ayanna Prescod reviews.
Alice’s rabbit hole reimagined as the London Underground during WWII: Does it work? Loren Noveck isn’t so sure.