An ambitious, complex, at times unwieldy play that dramatizes the relationship between humans and the digital sphere as much as the relationships among its characters. Loren Noveck reviews.
Glenn Close moves the audience to the heavens in this new play from Jane Anderson. Alicia Kort reviews.
Conor McPherson employs Bob Dylan songs to thrilling effect in a new Depression-era musical. Lane Williamson reviews.
A conventional plot mires a post-Sandy Coney Island tale in Rinne Groff’s new play. Loren Noveck reviews.
Cameron Kelsall reviews Ma-Yi Theater’s subversive transposition of Richard III to a contemporary American high school.
Alicia Kort reviews the Mobile Unit’s newest production.
Lynn Nottage anthropomorphizes a mighty elephant and the ivory trade that felled it. Patrick Maley reviews.
Charlotte Arnoux reviews Quiara Alegría Hudes’ feminist road trip.
A newbie politician seeks revolution in the Trump age. Alex Barasch reviews.
Loren Noveck reviews a Cuban retelling of Antigone by Havana’s Teatro El Público.