“That Guy” infects our collective bloodstream, in a play Joey Sims calls “theater as a scream of pain.”
Tori Sampson’s new play gives the audiences a mirror to reflect on ideas around black beauty. Ayanna Prescod reviews.
In Noura, a refugee lives in exile from herself, trying to reconcile her past and her present. Loren Noveck reviews.
Playwright Larissa FastHorse’s New York debut is a “frequently funny, occasionally obvious satire of performative wokeness.” Cameron Kelsall reviews.
Gabe Cohn reviews Lindsey Ferrentino’s out-of-touch response to school shootings.
Molly Grogan reviews this remount of The Mad Ones’ 2016 production.
Cameron Kelsall calls bullshit at the hell Max Posner reserves for an over-burdened son.
Gabe Cohen reviews The Debate Society’s new play, connecting two different Chicago world’s fairs.
Adam Bock sets us up, to better upend expectations. Loren Noveck reviews.
Kev Berry goes on “a delirious, whiskey-fueled trip across the Wild West” with the all-female cast of Will Davis’s Men on Boats.