Thomas Bradshaw’s new play leans into its awkwardness and is all the better for it. Lane Williamson reviews.
The musical adaptation of the Swinging Sixties film doesn’t know what to make of its sexually liberated foursome. Maya Phillips reviews.
This “silent” play got our NYC critics talking. Here’s Kev Berry, Molly Grogan and Nicole Serratore on the comic and metaphysical tensions of Ars Nova/Bess Wohl’s critically acclaimed production.