With a thumping heartbeat, Claus Guth’s production of Schubert’s Swan Song portrays a soldier’s journey towards death. Nicole Serratore reviews.
Robert Icke and Juliet Stevenson elevate a medical procedural while examining identity politics. Lane Williamson reviews.
Alexander Zeldin’s play, a slice-of-life in a temporary housing facility, makes its U.S. debut in a quietly stirring production. Lane Williamson reviews.
Writer/Director Robert Icke returns to the Armory with two productions from the Almeida Theatre presented in repertory, to disparate results. Lane Williamson reviews.
Park Avenue Armory presents a commissioned work from Richard Jones, director of 2017’s smash production of “The Hairy Ape”, but the equation of that success doesn’t add up here. Lane Williamson reviews.
Japan’s Shizuoka Performing Arts Center translates a Greek classic with “cinematic beauty” and stunning visuals. Maya Phillips reviews.
Despite an elegant design and phenomenal acting, this play about Lehman Brothers Holdings focuses on the bankers and ignores the common man. Lane Williamson reviews.
A “living sculpture” that pays tribute to the forgotten African heroes of the Great War. Juliet Hindell reviews.
Anne Teresa De Keersmaeker plunges deep into Bach’s music in an inventive evening of modern dance. Lane Williamson reviews.
Ivo van Hove directs the Comédie Française in an adaptation of the Luchino Visconti film. Molly Grogan reviews.