Explicit, provocative, and rich with intentional ambiguity, Jeremy O. Harris’s Slave Play mixes shocked laughter with deep discomfort.
Heidi Schreck asks whether “equal protection of the laws” is really so equal or protective after all. Loren Noveck reviews.
Caryl Churchill’s dense political play can be challenging to unpack even in this fleet production by Rachel Chavkin
Ran Xia reviews Gardiner Comfort’s show about living with Tourette Syndrome.
Juliet Hindell reviews Amy Herzog’s new play about navigating the US health care system. Side effects may occur.
Loren Noveck and Molly Grogan discuss two sections of Mfoniso Udofia’s 9-part cycle about a Nigerian-American family.
How far would you go for love? Nicole Serratore examines the question and its “economics” in Hadestown.
David Bowie’s falling star.
The insular echo of self-applause.